The development of modernism has brought tremendous changes to all aspects of society. The great development of materials, science and technology shapes a severe situation. But cultural development seems increasingly weak and extreme, which requires revolutionary and breakthrough thinking. Based on such circumstances, the development of calligraphy and painting art, in the greenhouse of our ancient civilization, is still hesitating instead of moving forward. There is no way forward. Neither does it have a little sense of changing. Of course, under such a premise, we can see that a lot of artists both in mainland and in Taiwan are actively exploring and they don not forget their historical mission. This is quite a relief. I now produce this article not for simple, brutal criticism, but to summarize. I hope to give the future generations a reference and if it will be able to play a role as a guideline, it is very meaningful.